Instrumentation: Voice (Anderson) and piano accompaniment
Texture: The song’s texture is fairly sparse as there are only two instruments, and the piano is usually playing softly in the background so as not to interfere with Anderson’s singing. The texture of Anderson’s voice is very full and rich.
Range: Anderson mainly stays in a low vocal range (in fact, impressively low). However, her voice jumps an octave on the words ‘over Jordan’: this puts musical emphasis on the most important word of text in the line. She also maintains a higher vocal melody during the song’s bridge, with one sustained high note. However, the song’s ‘home’ is in the low vocal range.
Tempo: The song’s tempo is very slow and dragging. This adds an element of drama and soulfulness. As the piece progresses, some subdivision occurs in the piano part and vocal part to add interest – but in the song’s final verse, it reverts to the original tempo.
Meter: Overall, the song is set in duple meter: however, there is some delaying of the beat in some places.
Volume: An unusual aspect of this song is Anderson’s ability to maintain fairly loud volume even in her lower range: in fact, her ability to project and resonate at low pitch is one of her assets as a singer. While Anderson gets louder as she gets higher, the recording shows her talent in both ranges.
Anderson's operatic training is clearly evident in this performance; thanks for such a thoughtful, detailed description.
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